Like a sort of playground where any sort of game is allowed and engaged in, the creative universe in which Monica Cecchi’s work takes shape is open to a wide and varied range of stimuli and challenges; within it, the expression of a never-saturated, never-aseptic visionary potential is governed by the grammar of imagination. Abolishing any form of clear, hierarchical distinction between styles and genres, between high culture and mass culture, between cultural references and advertising slogans, Monica Cecchi’s polyglot alphabet is articulated through a multi-layered syntax that restores the pleasure of narration through contrasting elements of different polarities and a carefully-considered use of citation. (Emanuela Nobile Mino in Monica Cecchi, Galleria Antonella Villanova, 2016)